翻訳と辞書
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・ Chu-Chi Face
・ Chu-Chin-Chow
・ Chu-Chin-Chow (1925 film)
・ Chu-iho
・ Chu-Lip
・ Chua
・ Chua Beng Huat
・ Chua Bo De
・ Chua Boon Huat
・ Chua Buu Mon
・ Chua Cheng Bok
・ Chua Chu Kang Group Representation Constituency
・ Chua Chu Kang Single Member Constituency
・ Chua Chwee Koh
・ Chua Cocani
Chua Ek Kay
・ Chua En Lai
・ Chua Jui Meng
・ Chua K'a
・ Chua Lam
・ Chua Linh-Son Buddhist Temple
・ Chua Phung Kim
・ Chua Sian Chin
・ Chua Sock Koong
・ Chua Soi Lek
・ Chua Soo Bin
・ Chua Soon Bui
・ Chua Tee Yong
・ Chua Tian Chang
・ Chua Tze Jean


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Chua Ek Kay : ウィキペディア英語版
Chua Ek Kay

Chua Ek Kay () (1947 – 8 February 2008) was a Singaporean artist hailed as the "bridge between Asian and Western art"〔.〕 with a unique painting style using Chinese ink on paper that demonstrated an ingenious blend of traditional Chinese painting forms with Western art theories and techniques. Most of his works were themed of Chinatown street scenes, lotuses, and abstract works inspired by Australian aboriginal cave paintings.
==Early years==
Chua Ek Kay was born in Guangdong, China, on 1947, the eldest of seven children. In the 1950s, his family migrated to Singapore, and settled in Liang Seah Street. Chinese cultural influences were very much a part of his daily life and art, and as a child Chua picked up Chinese literature and poetry, and practised writing Chinese characters with his father. Even in school, he often took part in calligraphy and classical poetry activities as a student at the Catholic High School. He excelled in both areas, writing his own poems and becoming known in school for his excellent poetic calligraphy. This reputation soon spread to local calligraphy and poetic circles.
In 1975, the 28-year-old Chua became a student of Chinese brush painting and seal-carving of Singaporean master ink painter, Fan Chang Tien.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Chua Ek Kay」の詳細全文を読む



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